“An Eastern European Ridley Scott… the commentary that is cultural of oeuvre is universalist… their future is our now.” – Ela Bittencourt
“The Polish ‘cinema of anxiety’ soars from this world within the work of Piotr Szulkin… the movies thrive on imaginative eyesight and sociological absurdity.” – Steve Dollar, Wall Street Journal
Movie at Lincoln Center is very happy to announce Sci-Fi Visionary: Piotr Szulkin, a retrospective celebrating one of Poland’s many filmmakers that are revolutionary September 6-8.
A manager, screenwriter, novelist, theatrical manager, and painter, Piotr Szulkin regularly encountered censorship through the Polish Communist regime for the late ’70s and early ’80s for their unabashedly political works. Szulkin’s profoundly imaginative movies can be looked at as existential stories, absurdist parables, or premonitions about contemporary society’s hostility in addition to evils of totalitarianism. Drawing from 20th-century philosophy and Polish medieval literature through speculative fiction, noir, and grotesque allegories, Szulkin masterfully wielded the shoestring budgets afforded him to generate shockingly iconoclastic technology fiction movies. Referred to as “the undiscovered Fritz Lang of 1980s Mitteleuropa” (Michal Oleszczyk, RogerEbert.com), Szulkin made movies that have been hardly ever seen outside of their indigenous Poland but which continue steadily to resonate with chilling truths about humankind, drawing eerily prescient parallels to the current global climate that is political.
One of several biggest retrospectives of their work up to now, Sci-Fi Visionary: Piotr Szulkin provides an array of brand new restorations that are digital brought in movie images. The show showcases every one of Szulkin’s features, including their audacious cult classic Golem , usually considered a precursor to Blade Runner ; The War for the Worlds: Next Century, a reimagining associated with the H.G. Wells novel plus an indictment of mass media’s impact on civilians; O-Bi, O-Ba: the termination of Civilization , which follows the residual survivors of a nuclear apocalypse while they wait for a mythical Ark to save lots of them from http://www.russian-brides.us their serious situation; Szulkin’s research of feminine sex into the increasingly delirious and erotic Femina ; the dadaist Ga, Ga: Glory to Heroes , which follows a prisoner aboard a penitentiary spaceship while he is delivered on a objective up to a authorities state hell earth; and Szulkin’s last movie, King Ubu , on the basis of the 19th-century Albert Jarry play, a brutal commentary on contemporary Poland when you look at the aftermath associated with the Communism Szulkin criticized throughout their profession. Also, the retrospective will emphasize Szulkin’s quick movie work, such as the folklore-inspired morality play Dziewce z ciortem in addition to documentary Working Women .
Presented in collaboration utilizing the Polish Cultural Institute ny.
Arranged by Florence Almozini and Tyler Wilson.
Tickets carry on sale Thursday, August 15 and are usually $15; $12 for pupils, seniors (62+), and people with disabilities; and ten dollars for movie at Lincoln Center people. Save utilizing the purchase of three seats or even more.
Acknowledgments: Polish Cultural Institute Ny; Daniel Bird
FILMS & DESCRIPTIONS All tests occur during the Walter Reade Theater (165 western Street that is 65th otherwise noted.
Femina Poland, 1991, 35mm, 84m Polish with English subtitles After her husband leaves for a long company trip and her mom dies, a coolly detached, bourgeois housewife (Hanna Dunowska) embarks on an outre carnal odyssey looking for sexual satisfaction, leading her into increasingly deranged, sinister realms as memories from her childhood mingle with fever-dream seductions. Equal components coming-of-age nightmare, softcore satire, and surrealist cantata, Szulkin’s delirious erotic fantasia unfurls in a nonstop rush of indelibly uncanny images—from a free-floating apparition of a lusty Joseph Stalin to a set of shockingly randy puppets—as it savages faith, their state, plus the notion of the family that is nuclear.
Preceded by: brand brand New electronic renovation Working Women / Kobiety pracujace Poland, 1978, 6m U.S. Premiere Stylized with dramatic interiors and a distorted framework price, this very very early documentary miniature from Szulkin depicts six sequences of solitary, repetitious work. Saturday, September 7, 4:30pm Sunday, September 8, 8:00pm
Ga, Ga: Glory to Heroes / Ga, Ga – Chwala bohaterom Poland, 1986, 35mm, 84m Polish with English subtitles Resistance is useless in Szulkin’s stunningly nihilistic dystopian satire. In the next where life in the world became therefore wonderful that only prisoners are utilized for the dangerous company of room exploration, poker-faced intergalactic inmate Scope (Daniel Olbrychski) is delivered on an apparently condemned mission to an uncharted earth. Upon their arrival, he discovers some sort of curiously like a dilapidated, postapocalyptic world, where he’s welcomed by the population as being a “hero,” an ignominious honor, he quickly learns, that accompany a many fate that is barbaric. Using the film’s title that is appropriately nonsensical the babble of their infant daughter, Szulkin provides a bleakly acerbic commentary regarding the absurdity of life in an authorities state. Friday, September 6, 4:30pm Saturday, September 7, 8:30pm
brand brand New electronic renovation Golem Poland, 1980, 92m Polish with English subtitles in certain dystopian future, experts try to produce a fresh, pliable battle of people. an apparently ordinary item regarding the effort, the genetically engineered Pernat (Marek Walczewski) is susceptible to round-the-clock monitoring while he goes about his life amidst drab bloc architecture that is soviet. Szulkin’s feature that is bold, styled in sepia tones and dramatic lighting, was known as a precursor to Blade Runner , but its name additionally appears back again to a far more ancient misconception of creation and morality.
Preceded by: brand brand brand New electronic restoration The Gal together with Fiend / Dziewce z ciortem Poland, 1976, 14m Polish with English subtitles U.S. Premiere Szulkin stages a morality play about a sinful woman’s encounter using the devil, set into the Polish ballad of the identical title and imbued with folkloric imagery. Friday, September 6, 6:30pm Saturday, September 7, 2:00pm
New electronic renovation King Ubu / Ubu krol Poland, 2003, 90m Polish with English subtitles U.S. Premiere According to Alfred Jarry’s late 19th-century, proto-Dada political satire Ubu Roi , Szulkin’s last film is definitely a crazy, carnivalesque commentary on post-Communist Poland by which drunken degenerate Ubu (Jan Peszek) seizes control of the monarchy in a supposedly “democratic” takeover (their signature policy: universal free alcohol) and then institute his very own absurdist, tragicomic reign of terror. Upgrading Jarry’s iconoclastic vision with a new dose of dark, post-Soviet cynicism, King Ubu is an incendiary summative statement from a musician whom devoted their profession to lobbing grenades in the equipment of totalitarian political corruption. Sunday, September 8, 6:00pm
Brand brand New electronic restoration O-Bi, O-Ba: The End of Civilization / O-bi, O-ba – Koniec cywilizacji Poland, 1985, 88m Polish with English subtitles What stays of mankind post–nuclear apocalypse is confined to a squalid underground bunker where survivors toil desperately to uphold the very last vestiges of civilization. They have been spurred in by their fervent belief in a fabled Ark which will deliver them from their residing hell—a misconception propagated by the powers that be, and distribute, to some extent, because of the increasingly disillusioned smooth (Jerzy Stuhr) as he tries to push away total collapse. Involved in an expressionistically grimy, grey- and palette that is blue-toned Szulkin crafts a shattering existential parable concerning the false claims of politics and faith that plays away such as a Sisyphean journey into madness. Saturday, September 7, 6:30pm Sunday, September 8, 4:00pm
New digital renovation The War for the Worlds: Next Century / Wojna swiatow – nastepne stulecie Poland, 1981, 96m Polish with English subtitles specialized in both H. G. Wells and Orson Welles, Szulkin’s followup to Golem starts using the Christmastime takeover of Poland by way of a band of hyperintelligent, bloodthirsty martians (played by silver-painted dwarfs in puffer jackets) who enlist hapless tv newscaster Iron Idem (Roman Wilhelmi) once the vocals of the 1984 -esque propaganda device. Nevertheless when Iron dares to set off message, he makes an enemy also more than the aliens: the continuing state it self. Released in the same way Poland was being plunged into martial law and instantly prohibited, The War of this Worlds: Next Century is just a disturbingly prescient allegory of energy, control, and news manipulation in a world that is post-truth. Friday, September 6, 9:00pm Sunday, September 8, 2:00pm